Showing posts with label social commentary. Show all posts
Showing posts with label social commentary. Show all posts

Monday, April 29, 2013

YOU CAN BE DIFFERENT, AS LONG AS YOU FIT IN

Vivi-Mari Carpelan: "A Measure of Normality",
handmade mixed media collage with photographs,
copyright 2013

I thought I wasn't going to do bigger pictures but there you go, I couldn't help myself. I was struggling a bit as I had to spend most of my time on the floor.

This collage started with a Chinese newspaper and the photos of myself. As I was checking out this newspaper, I realised how many cultural cross references there were. In one single paper, there were discussions about Windows 8, Google, Ipad and brands such as Toyota, Opel and Roche. I speak a little bit of Chinese but I don't understand the characters. Nonetheless, I found it quite easy to guess what the articles were about simply on the basis of all the Western names, but also the images and the typography. The editorial is suggested with the image of a scribbling pen, the dating site has bold characters and a cheesy Western couple in the picture. A meditating monk is clearly not real, but a movie character, as he's surrounded by a romanticised candle lit environment. An article about UFO's is accompanied by a photo of all sorts of paraphernalia to do with UFO's and the belief therein. An image of a couple sleeping on top of their luggage on the floor clearly speaks of delays in transport. Nostalgia for the past is expressed in traditional imagery and pictures of Asian food, and a love of modernity expressed in the extensive article on computers. All in all, though the details escape me (for instance, what caused the delay and whose football scores are we talking about here?), it's clear that globalisation and information technology is making it easier for people to understand each other. 

The downside is the homogenisation. While humans have always attempted to "fit in" and not upset the general concensus about normality, the extensive relocations that are taking place cause more pertinent conflicts in the individuals and in their new surroundings. To what degree should you try and blend in and to what degree should you preserve your cultural heritage? How do you strike a balance so that everyone has a reason to be content - personally, and collectively? Society may be more tolerant of difference than it used to be, but we are still far from living harmoniously side by side. On the pages of this newspaper, which incidentally is aimed at Asians living in Europe, I have scribbled my own little notes the way you do - phone numbers that are relevant to my existance but also reminders of little idiosyncracies such as the format in which the British and the Finnish  express time (9 pm being 21.00 hrs, for instance), and issues related to differences in the use of the phone. For instance, I was in for a shock when I found that calling a UK service number from my mobile phone was expensive - this isn't the case in Finland, were landlines are largely abandoned.

There are also peculiarly English expressions that I learn as I seek counterparts to expressions in my own language, and ones that I'm thinking of in order to use them in my projects. My dad used to always circle the programs he thought we should watch in the TV guide with a red marker - the marker being a typical association with newspapers. Is paper on its way out, well we'd all like to know that, of course! Many people are starting to hold onto the slow consumption of the written text on real paper, rather than suck up lots of short stories on the internet.

You want to express your individuality - well I'm assuming in this time and age most of us do in one way or another - and society certainly encourages people to do so up to a point. How much room for individuality is there really? As soon as a belief system runs counter to the rules and regulations created by the government, there is trouble... The paradoxical message is, you can be different, as long as you fit in. I have wanted to express this idea through the use of the photos of myself, that could be passport photographs if it wasn't for the unusual set up (I'm possibly naked, with a bowler hat on my head - and of course in Magritte's famous world, the bowler hat stands for conformity). I also point to the idea that most of us want to be noticed in some way or another, as well as express our individual selves... we silently question the idea, whether there is really room for us too in an over populated world that is much governed by the collective consciousness.

Then there is the grid, that much loved symbol within modern and contemporary art... To me, it merely suggests that we are really all stuck inside of the grid, or the matrix of society. Perhaps in the end it's not so much a matter of getting unstuck and "living off grid", as loosening the rigid grid so that we can all breathe with greater ease.

Sunday, July 8, 2012

WHAT ARE THE REAL REASONS FOR THE ART I'M ENGAGING IN NOW?

Vivi-Mari Carpelan: "Your Indifference is Breaking My Heart", copyright 2012.
Read more about this piece in my previous blog post.
Why do I make the kind of art I'm doing at the moment? What's behind the desire to get social messages across, and why am I much less interested in expressing spiritual viewpoints? 

I found at some point that spiritual interests just weren't taking me any further. I felt I knew what there was to know and so further investigations and research just wasn't that interesting any longer. I became increasingly concerned with the way things really are in the gritty reality I am in, and this was all up to a certain maturation. It became a question of finding something that worked better for me in relation to society at large. In fact, I feel that as I've gotten older I've started to have a greater desire of real integration into society, and this is mirrored in what I do.

Rather than engaging is solipsist ideals about another dimension I am asserting a place within this dimension. It also means that my art work is not always pleasant, because I am expressing questions about whether I really have a place in society or not... I can now see that my art had to take a turn in this direction. I can no longer avoid the burning issue of my role in society as such, and it also means that I am sometimes having to be assertive and confrontational. I think that when I was younger, I thought I could carve out a niche all my own without much regard for the rest of the world. That just doesn't seem possible any more. My relocation to a larger society has thrown the questions of what society really is straight in my face... I cannot turn away the way I used to do when I was in a familiar and much less extensive environment.

My work is certainly not without a certain spiritual background, but there is no need to make it obvious. It's just there... I miss it's more pertinent presence a little - I miss the comfort of thinking about those things for hours every day and the ease with which I was making friends because we could share those thoughts. It has all changed and nothing is that simple any more.

I'd like to be a spokesperson for all those who are chronically ill and therefore chronically fatigued, but I can't really be one unless I engage them in my art work. I have been thinking about this; with support from the Arts Council I would have tried to do this. At the moment I am nonetheless quite content with just expressing my own feelings. Doing research outside of myself would have been quite tiring, and the truth is I haven't had a great deal of energy to spare. I may eventually do something on a smaller scale - we'll see. I would probably also have had to do more of my photography because that seemed to interest the Arts Council (perhaps because it was easier for them to comprehend). At the moment I'm quite content just taking photos as the opportunities come along and keep collecting a body of work. Provided I got an ink jet printer, printing it all out would be a huge job, again something quite exhausting. I would like to eventually, but maybe now is not quite the right time for a big exhibition of photography. I rather wait a little, and see...

As for my collages, well I'll give it another year and see if it takes me somewhere or not. If not, then I have to assume that it's just not meant to, and continuing to stress over it is only harming myself. I will tuck away a lot of my older art for the moment so I don't have to keep seeing it. I don't suppose I can stop being creative but I can stop trying to get it all out there.

Vivi-Mari Carpelan: "In Flight", digital photograph copyright 2012

Friday, February 17, 2012

THE RESULTS FROM THE SAATCHI SHOWDOWN COMPETITION FOR COLLAGES & ASSEMBLAGE


This is what Saatchi has to show for. What do you think, is it any good and if so, why? Is this better than my own work? I don't really want to criticize these much as that could come across as feelings of resentment. But I'd like to draw your attention to the fact that the compositions are very conventional, and that there are many faces or the upper part of bodies seen upfront - and they are portrayed in rather typical ways as often seen in Flickr collage groups, for instance (I recommend going there for some exciting collages). My favourite is "Circus, Circus" by Michael Tierney, as being the one with some innovation. Though to be honest I'm not sure what it is about. I cannot see any social messages here, which is what I expected to see.

You might also wonder why the one's with the country name are from the United Kingdom and some from the United States, and why the two other ones have no country?

This is where I wrote extensively about the Saatchi showdown that I took part in.

1st Place Showdown Winner

collage 4

by Kelly Susan

London, United Kingdom
PRINTS
$50