PLAYED ON BBC WALES!

My recent sound piece "Creativity Will Set You Free" was played on Adam Walton's show on BBC Radio Wales at prime time at 22 hrs on Saturday the 7th of June! Unfortunately the notification went to an inbox I hardly ever used, so I managed to miss it. It would have been nice to know if anything was said about it.

I also finished my last collage piece for "Project X" - it is also the last piece in which I use copyright free vintage engravings. I feel saturated with this kind of aesthetics and am thinking how to change direction. I have some ideas but will have to rearrange my workspace entirely. I will need to be able to stand up and will also require larger surfaces to work on.

"No One Sees No One Knows - I am Just a Cut-Out"
Collage with artist's self-portrait, copyright 2014

"No One Sees No One Knows - I am Just a Cut-Out" was a piece inspired by this year's Moma Wales Open theme "Myself" that I thought about for quite a long time. Yes it did get in. I'm glad I gave it time because in the end I decided to make the piece into an ironic comment about collaging flat images ("this is not me, only an image"), as well as the flatness of the way other people see you. In other words, it is all about surface and the sense of being disposable with little intrinsic value (at least in the eyes of those who hold the power within our society). External influences always threaten to break you ("snap you in two") when you're not able to hold your fort. This picture tells the story of a Catch22, that is of someone who is not able to show their ailments. These are invisible internal problems as well as the absence of correct shape.  In my case it's the feet as well as the spine, which have grown rather liberally like knotty tree branches. Of course fitting into ready made shoes and clothes is difficult, and really one should have everything customised if only one wasn't also very poor as a consequence of the illness.

What people don't see they don't understand, but if they did see it they probably wouldn't understand it anyway. So do you hide in shame or bravely show your most personal source of  embarrassment? I think we know the answer - when we are not strong, we probably shouldn't subject our most vulnerable selves to public scrutiny and should probably only talk about the issues in covert ways.

CREATING A TREASURE MAP

Vivi-Mari Carpelan: Part of a treasure map for a women's creativity group, copyright 2012

Thanks to kind contacts, I was recommended as the kind of artist who would be able to do a treasure map for a women's creativity group. This is run by Arts Care here in Wales. There wasn't much time so I only had one session of "critique" which I received by mail and telephone before I finalised the draft. I started out with a collage from 2008 in mind - "Distant Shores", so I did the background by hand in the same style. While I could have used maps already in existence, I felt that this would lend the map some personality but also keep it simple.

Vivi-Mari Carpelan; "Distant Shores" copyright 2008

Thankfully, I had quite a bit of copy right free images in mind already, so my long experience as a collage artist was helpful in this case. I suggested a treasure trove from a book of esoteric imagery because the group was doing stuff related to Tarot cards, as well as a woman with a water jug. The former has a Phoenix attached to it, and this was well received. The latter was found  superfluous. The decision makers wanted a treasure trove that was open and overflowing with symbols of creativity, especially musical instruments. At this point I wasn't quite sure how much I would be doing in Photoshop... what I did know was that it wasn't going to be that easy to fill up the trove. Though it would be good to represent all art forms, instruments were probably the best elements to use due to the scale and the relative scale between the elements, as well as the imagery available in my library. The finished maps were going to be only size A5.

For those who don't know how complex the process can be, here's an example: I had to scan the chest, changing some of it in Photoshop, then print it out and change the appearance, find objects to put in there, scan them, scale them (which is hard to do on the computer) and change them in Photoshop, think about the relationship between them, print them out, cut them out by hand, think how to position them, glue them by hand, then scan again and elaborate (i.e. fix the density of the blacks and make the white whiter), then scan in Photoshop, then add them to the circle with the bird... and so on. 

I ended up doing most of the map in Photoshop but most of the open treasure trove was done by hand. I knew the bit done by hand was going to be quite time consuming and difficult for me to execute, and I was right. Also - because I don't have a scanner that works with my relatively new HP laptop (Windows 7) I have to borrow Martin's Spanish tablet PC in order to scan anything, and this is always extra hassle. I had infuriating issues with the fact that I don't understand that much Spanish and his PC is getting old and tired. My PC also tends to run out of memory, so I'm learning to be more diligent about saving my work. Except that there's a bug in Photoshop Elements 10 that forces you to save each version separately. Big sigh!

By the end of the day I omitted some more references to maps. They wanted it quite simple, and to be honest - although I enjoyed most of the process there is also only so much time one can spend on a project for a week's food money.

I have received the feedback that the overall look is good but that there are too few references to all of the arts. The map has been sent to the rest of the team for review. Martin suggested put an inkwell at the front, which I have already scanned so that should be a reasonably easy thing to do.